As part of the art biennal Bästa Biennalen, Vilma Luostarinen and Louise Waite made a workshop called DoftDérive at Kristianstad Konsthall, exploring the ideas of Situationist International in a contemporary, sensory setting. This was then developed into the installation Skuggstaden/The Shadow City, in the exhibition Oenighet ger styrka, in 2017-2018.
Collaboration between Louise Waite, Vilma Luostarinen (curator/initiator) and Mathilda Frykberg (artist).
Metamorphoses Supper Club was part of a series of poetic and material explorations where the boundaries of what is human and innate becomes blurred.
The performative dinner party was presented for eight guests at the House of Words at Gothenburg International Art Biennal (SWE) in 2015.
Inte alls, bara en bakgrund / Not at all, just a background
Collaborative exhibition betweenRasmus R Streith (artist/filmmaker), Louise Waite (artist/curator) at Galleri Sho (SWE) in 2014.
The show was exploring the concepts of cultural traditions, spatiality and flux.
bread dough, kinetic sand, salt crystals, magnetic putty, ceramic bowl, archive, headphones, mp3 player, 4 minute sound loop
Collaboration between Louise Waite, Vilma Luostarinen (curator/initiator) with Alison Taylor (material designer).
Metamorphosis I: Primordial Paste was part of a series of poetic and material explorations where the boundaries of what is human and innate becomes blurred. In this first experiment, an unknown black substance was explored through the act of kneading.
The interactive installation was part of the one day event What is Potential? at Wellcome Collection (UK) in 2016.
Images by Vilma Luostarinen & The Wellcome Trust.
Måtte jag aldrig slå rot / Never must I grow roots
Shown in an old ski shed at Gerlesborgsskolan Stockholm (SWE) in 2013.
The exhibition explores the notion of belonging, familiarity and self-chosen alienation.
A lyrical noise riot grrrl art band with 5-10 members with backgrounds such as project managers, choreographers, textile designers, dancers, writers etc. Every show was 30 minutes long, the show was the length of the one song that was performed, the title of the song was the name of the band during that show, lyrical noise was the concept. A fanzine was produced for almost every show containing the intense emailing within the group that formed the concept of that particular show. This group never rehearsed, every performance was a one off.
the act of saturating or the process of being saturated (physics) the condition in which, after a sufficient increase in a causal force, no further increase in the resultant effect is possible; e.g. the state of a ferromagnetic material that cannot be further magnetized (chemistry) the state of a saturated solution (chemistry) the state of an organic compound that has no double or triple bonds (meteorology) the state of the atmosphere when it is saturated with water vapour; 100% humidity the intensity or vividness of a colour intense bombing of a military target with the aim of destroying it the flooding of a market with all of a product that can be sold (music) an effect on the sound of an electric guitar, used primarily in heavy metal music
Canic ms bada BAM, Berget, det stora med helvetesgapet, Gerlesborg, Friday, July 20, 2012 (tidigare kända som Shout & Burn, P 23 23, Rain On och Booty Down Spectras) lirar balsamspray, kam, skaka hand duk uppe på berget så det väller ut något som lava, rök
At Skogen, Masthuggsterrassen, Göteborg 20120426 SKOGENS HALL: RAIN ON Åska är ljudet från blixtnedslag. En blomma är den reproduktiva struktur som finns i blommande växter. Regn är flytande nederbörd. RAIN ON (tidigare Shout & Burn) är ett Riotband som kör lyrical-noise i 30-minuters set. I samband med spelning släpps ett fanzine.